|
1980 |
Met at Pat's at
Punaluu's with
George Hermen (DOE information
specialist and author of over 100 plays), Jane Campbell
(HTY),
Ron Bright (Castle), Sandra Erlandson (Leilehua),
Sue Loudon (Baldwin), Jim Nakamoto (McKinley) to birth ADE. Ron Bright serves as our first
president.
The Gofer newsletter is
born and goes to every drama teacher in HI.
First Actor Factor
Workshop held at Punahou - 300 students attended.
Invited by Sarah Uejio to
teach a Midsummer Night's Dream at Farrington HS for one
GT class. Dept. Chair Sherilyn Tom invites GK & WD to
work with every incoming student, focusing on audience
manners, in hopes that the school can once again have
large auditorium assemblies. |
|
1981 |
With help of Bart Kane
(former state librarian), ADE incorporated and obtained
501(c)(3) status.
While looking for a drama
handbook at the state DOE headquarters, GK ran into
Language Arts Specialist Richard Nakamura who was
searching for ways to resuscitate the flagging Hawaii
English Project. He asked if dramatists could propose a
project like the Poets were doing. GK said "sure when
do you need it?" He said tomorrow. Luckily, we are used
to dreaming on cue. We proposed sending 21 artists to an
elementary, intermediate, and high school in each of Hawaii’s 7 districts as a drama education pilot under
the HEP auspices. Total cost = $35,000. Richard said
"go for it!"
Ron Bright works with us
during the summer and at WD's request, authors his dream
project for when he retires: a Castle Performing Arts Center which
Kengo Takata smiles at but files. |
|
1982 |
After 3 years of audience
training at FHS, auditorium can now have assemblies
because every student has experienced first hand thrill
and shakes of standing in the solo spotlight before 1200
seats and reciting a few lines from Shakespeare.
Amy Abe, who boasted the
state's only full line of drama at Waipahu HS, carries
the ADE banner for a drama coaching fee, which is passed
unanimously by the HSTA teachers' union. For the first
time drama educators receive $800 honorarium in
recognition of the hundreds of hours invested in after
school rehearsals. ADE’s goal #3 is accomplished!
The HEP bites the dust,
and rising up fresh borne from the ashes, is the Gett!ng
Dramat!c project, featuring teams of 2 drama educators
in each classroom. This program becomes the fee for
service workhorse of ADE. Since 1982, over 400
teachers and 10,000 students have annually applauded
the mix of action and reflection that propelled
residencies on 3/4 of the DOE campuses. Each student receives 3-8 hours of indelible instruction from
a pair of dynamic artist-educators selected from ADE's
highly regarded pool of freelance actors, directors,
film makers, choreographers and playwrights.
"Performer Fitness" &
"Audience Readiness," the GD classroom manifesto, is
written by Walt Dulaney & artist-educator Roman Galvan
coins the Performer P's - Projection, Pronunciation,
Poise Personality!
Jay Siska of Mid-Pacific
Institute is elected ADE president. ADE Co-sponsor MANOA VALLEY benefit
w/ UH. ADE proudly sports one of only a handful of givers'
plaques in the Kennedy Theatre lobby. |
|
1983 |
SFCA funds "No Act, Eh?"
- a grant revolving around a touring show to the most
challenging of school audiences: 33 intermediate
schools statewide. Each fall a troupe of 4 professional
actors carries the ADE mission onto cafeteria stages
from Kaimuki to Keaau playing groups of
200-450 adolescents at a crack. |
|
1984 |
Ann Sheridan of Kahuku
HS is elected president. ADE is the first group to be
awarded the Alfred E. Preis Award by the Hawaii
Alliance for Arts in Education for outstanding
contribution to arts education in Hawaii.
Nancy Ahuna joins the
good ship ADE on Labor Day as ADE’s first office
manager!
GK and WD are invited to
Guam & Saipan for drama workshops. |
|
1985 |
State Foundation on
Culture & Arts funds "T-Shirt Theatre" -- an acting
company based out of tough inner city Kalihi.
Sherilyn Tom asks if we
can take talented FHS kids further. GK & WD do a
gangbuster summer workshop, can’t let the kids go, so
apply to the SFCA whose funding births T-Shirt Theatre.
Under Charles Toguchi's
senate stewardship and Windward District's Kengo
Takata's guidance [he remembered the file in his
cabinet], the Castle Performing Arts Learning Center is
born. All of the state's 36 learning centers follow the
$60,000 prototype that Ron Bright produced. Among those
were six Performing Arts Learning Centers, all of whose
artistic directors consulted with ADE staff. ADE’s goal
#2 is accomplished.
After three false starts
with various experts, financial consultant and personal
friend Roy Helms gets ADE computerized with Open Access
software and a financial program that can track seven
different accounts simultaneously and turn out income
statements and balance sheets for tax purposes. |
|
1986 |
GK takes a sabbatical
from all but financial aspects of ADE and honchoing the
GD project. |
|
1987 |
GK returns to direct TS
Theatre, run GD & finances, and teaches selected GD
residencies. WD continues to teach every incoming
student at Farrington and the entire 7th grade at
Kalakaua Intermediate.
Thanks to Sarah Richards,
then executive director of SFCA, there is 2nd year
funding of T-Shirt Theatre and the No Act, Eh? project
is still intact. |
|
1988 |
SFCA funded "Stagefright
Cable Network" written and directed by Roman Galvan and
featuring Buz Tennent, Cynthia See, and Kathy Edwards
tours statewide for over 10,000 intermediate students on
33 campuses. |
|
1989 |
GK & WD get full time
salary & Nancy Ahuna receives her first part-time salary
check. Up until now, the administrative staff donated
their services and personally underwrote publication and
postage costs while housing ADE activities in their own
homes. |
|
1990 |
GK & WD invited to
International Thespian Society in Cincinnati as
consultants. |
|
1991 |
GK, WD & Nan get
health insurance and rent subsidy. |
|
1992 |
Rod Martin begins
showing T-Shirt Theatre original playwrighting scenes on
O'lelo Cable TV for statewide viewing. |
|
1993 |
Dwight Damon starts
annual contribution to Gett!ng Dramat!c artist
reserve. WD, Ron Bright, Sue
Loudon, & Arnold Meister collaborate with Leila Naka of
DOE to write K-12 drama curriculum. ADE’s goal #4 is
outlined but not yet implemented statewide. |
|
1994 |
GK & WD awarded Pierre
Bowman Lifetime Achievement Po'okelas by the
Hawaii State Theatre Council.
GK & WD awarded
Excellence in Student Productions by the State Thespian
Society at the Maui Conference under Sue Loudon's
stewardship. |
|
1995 |
Debbie Kermode of Jerry
Kermode Custom Carpentry is elected president at Gala
15th Anniversary Meeting.
GK & WD & Nan annual
pension fund is started. |
|
1996 |
ADE suffers 70% cut in
SFCA funding but ends the year in the black thanks to
Artist-in-the-Schools contracts awarded to 15 schools
for Gett!ng Dramat!c residencies. |
|
1997 |
Chuck McLemore of
Creative Fund Raising brings in $18K to match $20.3K
Capacity Building Initiative begun by staff and Board
Pres. Kermode. ADE goes into the red for first time in
its financial history. |
|
1998 |
Nancy Char retires
after 14 years faithful service. Marissa Cerizo
and Clara Doctolero become clerks.
Red ink for 2nd year
in row. |
|
1999 |
Over $30K in grants have been received
and 90% of SFCA has brightened tills before Christmas
thanks to contracts officer Charlie
Medeiros.
Milton Kwock steps in to
preside as Debbie & Jerry bid farewell to Hawaii. |
|
2000 |
House-cleaning at T-Shirt
Theatre. All young adult FHS alumni assistant
directors make a hasty departure as Terry Lynn Pershing
comes on-board.
GK’s father, Sadao Kon,
dies at 87 and fall contracts are in suspense as George
spends time with his mother on Maui.
In response to
superintendent Le Mahieu’s “standards” driven agenda,
many key principals seek early retirement in December
‘99 without designating or training successors,
resulting in loss of 2/3 AIS contracts. WG freeze
salaries in Jan ‘00 to carry ADE thru financial
shortfall. |
|
2001 |
Teachers’ Strike
postpones Berlin show, directed by legendary Ron
Bright.
GK takes Hawaii
Writers’ Workshop & participates in first Arts First
Workshop sponsored by HAAE.
RB restages THAT RASCAL
BERLIN & Principal Payne permits TST to stage a 2 hr
show during school time as well as charge admission for
the first time in TST history. |
|
2002 |
Linda Harris agrees to
help ADE with strategic plan and ends up joining the
board and recruiting several board members. Her
sessions prompt us to consider who are ADE’s
“stakeholders.” It is a revelation that our GD artists
need to be at the center of our planning.
Grace Hummerickhouse
joins the team.
Cheryl Fisher steps into
Nancy Ahuna’s long unfilled shoes as office manager.
Hooray! |
|
2003 |
For
5 years founders GK and WD have worked for half their
salaries. In fall 2003, Board voted to
re-establish salary at ¾’s of the sum they received in
the ‘90s.
Colleen Allen from George’s AIMT massage school, helps
out in the office for several months and stays till
she’s found her replacement. |
|
2004 |
Rona Suzuki is elected
president as Milton Kwock leaves both ADE and the
Business Action Center to head up another agency.
Alohalani Hose,
triathlete and pet lover comes to manage the ADE
office.
Edmund Lee heads up year
2 of Farrington’s fledgling drama class with TST alumni
Jonah Moananu, Paul Parel & Nate Corpuz. |
|
2005 |
ADE celebrates it’s 25th
birthday, it’s the quarter century mark for the good
ship ADE!
30 alumni, including Scot
Ah Yuen and Ac’Lynne Uesugi from the inaugural TST
company, return to perform a giant company “Lichee.”
The first student
board member and TST vet of 6 years, David Abadilla
graduates and vows to continue as member of the ADE
board.
CPAC students go to WORK. |
|
2006 |
TST performs SKIDOO! and MABUHAY! CPAC students "Get
Healthy"! |